The Indian entertainment industry is mourning the tragic loss of Sachin Chandwade, the 25-year-old actor best known for his appearance in Netflix’s popular series Jamtara: Sabka Number Ayega (Season 2).
According to reports, Sachin died by suicide at his hometown in Jalgaon, Maharashtra, on October 23, 2025.
The young actor was reportedly found hanging by his family members, who immediately rushed him to a nearby hospital.
Despite efforts to save him, doctors pronounced him dead shortly after his admission.
As per Maharashtra Times, Sachin was first taken to a private hospital near his village, Undirkhede, and later shifted to another facility in Dhule after his condition worsened.
He passed away in the early hours of October 24, around 1:30 a.m., while under treatment.
Hailing from Jalgaon district, Sachin Chandwade was known for his dedication and passion for acting.
He balanced a dual career, working as a software engineer in Pune’s IT Park while actively pursuing projects in television and film.
Friends and colleagues remember him as a humble, determined, and hard-working individual who had been fascinated by performing arts since childhood.
The sudden demise of the young actor has left his fans, friends, and co-stars shocked and heartbroken.
Tributes have poured in across social media, with many recalling his promising talent and grounded personality.
Just days before his death, Sachin had shared an Instagram post promoting his upcoming film Asurvan.
The poster revealed that he played a major role alongside Pooja Moily and Anuj Thakare, in the film directed by Sachin Ramchandra Ambat.
The movie was set to release later this year, and its promotions had only recently begun when the devastating news broke.
Jamtara 2, the crime drama that brought Sachin recognition, revolves around a small-town cyber scam network and its consequences.
His brief yet impactful appearance in the Netflix series had earned him praise from both viewers and peers.
As the investigation into his death continues, the entertainment community is left grappling with another painful reminder of the pressures faced by young artists trying to balance ambition, work, and personal life.